Tease you (Ooh, hoo, hoo) Listen to Til The Cops Come Knockin' by Maxwell, 88,432 Shazams, featuring on ’90s R&B Essentials, and Neo-Soul Essentials Apple Music playlists. [11] The term "neo soul" was penned in the late 1990s by record executive Kedar Massenburg, who managed both D'Angelo and Erykah Badu. [2] Maxwell made matters worse by refusing to allow his picture to be placed on the album's front cover; instead he preferred to have the track listing and other information he felt was more important about the album in place of his photo. (Let me rock you, baby; let me love you, baby, let me do it, darlin') [30] By 1997, the album had shipped one million copies, earning platinum status from the RIAA. 'Til the cops come knockin'. Or were you embarrassed about the way you freaked? Was it enough to penetrate your dark world? Wasn't it cool when I first kissed yo lips? [2], Maxwell's following studio albums were received less enthusiastically by critics, who were more critical of his songwriting on his next two studio albums, Embrya (1998) and Now (2001). It was also a success with critics, who praised it as a departure from the mainstream, hip hop-oriented R&B of the time, while earning Maxwell several accolades and comparisons to soul singers of the past, particularly Marvin Gaye and Prince. Last lover came and went [2] Matthewman and Maxwell played several instruments during recording for the album, including guitar, drums, saxophone, bass, and keyboards. [15] One critic attributes the tempo decrease to Stuart Matthewman's production. Discover releases, reviews, credits, songs, and more about Maxwell - Til The Cops Come Knockin' at Discogs. [22] The album's liner notes have a dedication from Maxwell to his "musze", stating "I could never have done this without you". Maxwell's Urban Hang Suite is the debut album by American R&B singer-songwriter Maxwell. [3] According to some journalists, Maxwell's appeal to female fans was due to the respectful and sincere nature of his lyrics regarding women. [4] While the length of the track is listed as 13:47 minutes,[8] the song ends after 6:00 minutes, followed by a period of silence, before resuming with a hidden track,[4] which consists of 1:41 minutes of an instrumental version of "...Til the Cops Come Knockin'". [60] Essence writer Jeannine Amber compared his stage presence to Teddy Pendergrass. Or wer [2] He was able to gain access to a 24 track recording studio and started to record songs for a demo tape, which he circulated among his friends. Maxwell ‎– Til The Cops Come Knockin' Label: Columbia ‎– COL 663179 2 Format: CD, Single Country: UK Released: 1996 Genre: Funk / Soul. [3][10] He was described by critics as "part of a new generation of smooth soul crooners", and he obtained a reputation among fans as a sex symbol, which according to one journalist, was due to his "wild" afro and "extravagant cheekbones". Didn't you dig the way I rubbed your back, girl? Didn't you dig the way I rubbed yo back girl? Maxwell's Urban Hang Suite was not an immediate commercial success, but it was helped by the release of its second single "Ascension (Don't Ever Wonder)" in July 1996, and the album eventually became a million-seller. I'll be your lotion (I'll be your lotion) on your body [2] The album was eventually released on April 2, 1996,[4] and was a slow performer commercially. [7], Guitars: Wah Wah Watson, Stuart Matthewman, H and Maxwell Keys: Amp Fiddler, Federico Pena, Itaal Shur, David Gamson, Stuart Matthewman and Maxwell Bass: Mike Neal, Gary Foote, Jonathan Maron, and Stuart Matthewman Drums/Beatmachine: Gene Lake, Stuart Matthewman, Itaal Shur, Peter Mokran, David Gamson and Maxwell Percussion: Bashiri Johnson, Karl Vanden Bossche, Gregory Marsh Horns: The Beverly Soul Sextion Saxophone: Stuart Matthewman Trombone: Clark Gayton Trumpet: Kevin Batchelor French horn: Vincent Chauncey Cello: Erik Friedlander and Rufus Cappadocia Voices: Maxwell, Produced or co-produced by Maxwell (Maxwell) with Stuart Matthewman or Peter Mokran Additional production assistance: H (Mike Humphries), Wah Wah Watson (Melvin Ragin) and Itaal Shur Written by Maxwell or co-written with Hod David, Stuart Matthewman, Leon Ware, Itaal Shur or Melvin Ragin Recorded at Electric Lady (NYC), RPM (NYC), CRC (Chicago), Chung King (NYC), Sorcercer (NYC) Engineers: Mike Pela, Peter Mokran and Ed Tuton Assistant engineers: Michael Nuceder, Jamie Campbell, Brian "Mr. Bones" Kinkead, Phil Castellano, John Seymour and Ron Lowe Mastered by Tom Coyne at Sterling Sound (NYC) Art direction: Stacey Drummond and Julian Peploe Photography: Eric Johnson Photo assistance: Michael Stryder and Jamel A&R direction: Mitchell Cohen, Arranged and produced by MUZSE Mixed by Peter Mokran, Written and produced by Maxwell and Stuart Matthewman Mixed by Mike Pela, Written by Maxwell and Leon Ware Produced by Maxwell Mixed by Mike Pela, Written by Maxwell and Itaal Shir Produced by Maxwell Mixed by Mike Pela, Written by Maxwell and Hod David Produced by Maxwell Mixed by Mike Pela, Written by Maxwell and Hod David Produced by Maxwell and Peter Mokran Mixed by Peter Mokran, Written by Maxwell Produced by Maxwell and Peter Mokran Mixed by Peter Mokran, Produced by Maxwell Arranged by Maxwell and Federico Pena Mixed by Peter Mokran, ^shipments figures based on certification alone, "Sumthin' Sumthin'" was written by Maxwell and, The funk and gospel-influenced "Ascension (Don't Ever Wonder)" was co-written by, Track listing and credits as per liner notes for Maxwell's Urban Hang Suite album. There won't be no Didn't you dig the way I rubbed yo back girl. [1] Prior to working with Maxwell, Ware and Ragin were collaborators of soul musician Marvin Gaye;[1] Ware had produced and composed most of Gaye's tenth album I Want You (1976). [2] The demo engendered interest, and his official debut concert performance at Manhattan nightclub Nell's drew a crowd. [20] It was shelved for nearly a year,[19] because of issues with Columbia's management, the label's extensive reorganization, and record executives' doubts regarding the album's commercial potential. Well, I wanna hold you, I wanna know you baby, if it's alright [57] In Songs in the Key of Black Life: A Rhythm and Blues Nation (2003), writer Mark Anthony Neal cited the album as one of the most popular of neo soul recordings, along with Musiq Soulchild's Aijuswanaseing (2000) and India.Arie's Acoustic Soul (2001), that helped to redefine the boundaries and contours of black pop and R&B.[58]. Papa gonna have to leave Obviously women at 12 or 13 get either cursed or blessed with the fact that they're vessels for human life to come through. Lyrics to ''Til the Cops Come Knockin'' by Maxwell. View credits, reviews, tracks and shop for the 1996 Vinyl release of Til The Cops Come Knockin' (The Opus) on Discogs. Along with D'Angelo's Brown Sugar (1995) and Erykah Badu's Baduizm (1997), the album provided commercial exposure to neo soul and has since been cited by several critics as Maxwell's greatest work. Didn't you dig the way I rubbed yo back girl? The honest, sincere sexuality has struck a collective nerve with many in his audience who have built, renewed, or refined relationships based on the many messages found in the songs from Urban Hang Suite ... Maxwell's emotive power seduced not only significant numbers of both the urban and pop audiences but critics as well. Gimme a call, it's cool, the M's all open Check out ...Til the Cops Come Knockin' by Maxwell on Amazon Music. 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